SYMBOL WATCH – The United Nations & UN Security Council Headquarters: War & Depopulation

Commentary by Dan Fournier, published Thursday, July 11, 2024, 07:40 EST on fournier.substack.com

Mural painting by Norwegian artist, Per Lasson Krohg which is displayed at the United Nations Security Council (UNSC) chamber in New York City (more on this painting below).

Introduction

This is the second instalment in this SYMBOL WATCH series.

This is the second instalment in this SYMBOL WATCH series.

The first focused on the Pride rainbow flag, Apple Computer, and Numerology of 6 & 7 (including 666).

Since ancient times, humans have used symbols on flags, tools, weapons, abodes, their own bodies, and so on for various reasons and purposes – such as for survival or to exert power.

Starting in the Middle Ages, coat of arms became particularly pervasive, especially across Europe.

The great Chinese philosopher Confucius said the following (over 2,500 years ago):

Of course, the same applies for corporations like Apple Computer with logos, trademarks, and organisations such as NASA, schools, and other types of institutions.

Mottoes, colours and numbers (including assigning numerical values to names such as with Gematria) are also an important part of some symbols.

Symbology is essentially the art of expression through symbols (or their study).

Symbolism is the use of symbols to represent something or express meaning.

While we are exposed to literally thousands of symbols every single day, most of us fail to interpret them, let alone even notice them.

But once one sparks the habit of doing so and digs a bit to discover their origins and true meanings, one can discover entire new worlds never before seen; it’s tantamount to acquiring an additional tool in one’s critical thinking set.

Once the skill is honed, it is akin to viewing the world with special glasses like the protagonist does in John Carpenter’s 1988 film They Live.

In lieu of special glasses, one can acquire this useful skill merely by spotting, observing, studying or contemplating the origins and characteristics of symbols.

Practice makes perfect.

It’s a fascinating area of study. And in practical terms, when we used them to expand our critical thinking skill set it makes us more resilient to threats we would otherwise not see.

So, let us explore and discover some of these symbols, as they pertain to the formation and administering of the United Nations.

Origins of the United Nations

While many would argue that the United Nations, often abbreviated as the UN, was brought about to promote peace following the devastation of World War II, others point to its numerous shortcomings and failures.

The purpose of this work is not to weigh the pros and cons of what the UN has or hasn’t achieved over its 75+ year existence, but rather to examine its early and recent symbology so as to gain a different perspective of what the supranational organisation and its founders and backers really stand for.

Let us begin with the basics – its emblem and iconic flag. Thereafter, we will examine some, not all, of its notable “art” works which I believe are quite telling, foreboding, and of grave significance to humankind.

Emblem

The original emblem of the United Nations which first appeared in 1945 is different that the current one, typically depicted on the UN flag.

Original emblem of the United Nations. Source: Charter of the United Nations and Statute of the International Court of Justice, 1945.

We can also see the original emblem on display at a UN General Assembly in 1946:

UN General Assembly Hears Address by the Prime Minister of the United Kingdom. Prime Minister Clement Attlee (at speaker's rostrum), of the United Kingdom, is seen addressing the opening session of the United Nations Organization's General Assembly at Central Hall on Parliament Square in London, dated 1/10/1946. Credit: UN Photo/AP.

The current flag which has been used since 1947 is somewhat different. While the globe depicting the North Pole in the center nested on Laurel leaves are the same, the inner circular grid is now comprised of 33 quadrants instead of the original 25.

Emblem of the United Nations from 1947 showing the 33 quadrants in the center globe.

There exist no official explanation as to why they increased the quadrants in the center circle of the emblem to a total of 33.

33 & Freemasonry

There’s no shortage of evidence that those sitting atop the highest levels of Freemasonry (particularly those who are 33^rd degree Masons) embrace Satanism and, inherently, its destructive leanings and outputs.

They are globalists who are hell bent on implementing highly destructive agendas humanity is currently plagued with, including, of course, war, depopulation, and UN Agenda 2030.

They benefit from war in two principal ways: financial profits and depopulation which is their overarching goal.

It should definitely be observed that 33^rd degree Freemason and, fittingly/ironically, the 33^rd U.S. President Harry Truman was central to the formation not only of the United Nations (as he is the one who signed its Charter), but also NATO and the modern State of Israel. In fact, just 11 minutes after the “birth of Israel” Truman gave his official recognition of the Zionist state.

33^rd degree Freemason Harry S. Truman in Masonic attire. Image source: The Grand Lodge of Ohio.

Maps of Palestine and Surrounding Areas, before and after 1948. Source: the Harry S. Truman Presidential Library and Museum’s Background Essay on Harry S. Truman and the Recognition of Israel.

Truman had long been an advocate for war.

In fact, he is solely responsible for ordering the deployment of nuclear weapons over the citizens of Japan.

By doing so, he brutally and mercilessly killed nearly 100,000 innocent civilians despite Japan and the rest of the Axis powers having been already defeated and ready to surrender at the end of World War II.

This of course was intended to set the stage for the multi-decade Cold War to deter the ostensible “Communist Threat,” ensuring more destruction and profits for those who were really commandeering it all.

Truman was also instrumental in getting his military involved in the Korean War under the sponsorship and accord of the UN.

More death.

More destruction.

More debt.

The UN Security Council

Located in New York City, the United Nations Security Council (UNSC) is a principal body of the UN that is purportedly in charge with ensuring “international peace and security.”

Whether the body has largely succeeded or failed in that endeavour is up to debate and beyond the scope of this post.

What is interesting to note, however, lies in the very dystopian mural that is displayed in prominent fashion at the Security Council meeting room.

Photograph showing Security Council members in the process of voting. Image source: United Nations Peacekeeping.

The oil canvas mural, completed in 1950 and measuring 5.5 by 8.8 meters, was painted and donated by Norwegian artist, Per Lasson Krohg (1889 – 1965).

Here is a larger image of the mural so the reader can better appreciate its detail (click image the view larger version):

Discombobulated is the adjective that comes to mind when trying to describe or make sense of the overall collage of parts that make up the mural.

It is perhaps good to start with the official description of the painting, informally titled ‘Mural for Peace,’ as stated in the UN’s Gift page regarding the mural:

“The painting has sections showing symbols of human struggle.

The bottom center has a phoenix rising from a world covered in ashes, symbolizing the world rebuilding itself after war. The upper center section shows a man and a woman both kneeling and holding flowers with children. The surrounding panels show people happy, singing and dancing while the lower section is dark and somber, showing a dungeon, dragon lairs, soldiers, and war machines. The people are struggling to free themselves from the bonds and chains. The symbol of rising from the dark ashes to the light happiness is inspired by the humankind’s efforts to achieve peace, equality, and freedom.

Artist Per Krohg valued family happiness and unity and is featured at the paintings’ center. He said, “the essence of the idea is to give an impression of light, security and joy. The world we see in the foreground is collapsing, while the new world based on clarity and harmony can be built up.””

Needless to say, as with any artwork, it is subject to varied interpretations.

Krohg’s painting “could easily function as Nazi propaganda on behalf of national socialist eugenic (later eliminatory) ideology,” stated Gregory Maertz, an art historian specialising in the Third Reich at St. John’s University,

With the painting’s multiple section panels, there’s certainly a lot that can be unpacked amidst the varying themes and contrasting tones.

That being said, much of what follows certainly falls within the realm of subjective discernment by this author with careful consideration of numerous factors, including but not limited to mythology, history, culture, mystery, symbolism, and esoterica.

When considering the different panels of the mural as a whole, its overall theme appears to suggest a reshaping or remodelling of civilization, as per the elite’s vision and establishment of a New World Order.

This makes sense when one ponders the meaning of each panel on its own characteristics.

Accordingly, we will examine each panel to see what they really seem to reveal, in contrast to the officially stated narrative.

The Phoenix

Of course, the phoenix is synonymous with rebirth – particularly after a great war or tribulation.

What is noticeable about this phoenix, however, is the absence of ashes and/or fire under its feet as typically found with representations of the mythical creature.

Instead, Krohg’s version reveals a shedding of the bird’s prior skin, as is commonplace with snakes and other reptiles.

The substitution suggest that the rebirth to take place is one of a darker or more sinister nature since in mythology and religious texts, serpents symbolise an evil or diabolic presence.

Furthermore, the phoenix bird is one of the oldest occult symbols in the world dating back to the Egyptian mysteries and is considered a sign of secret orders and a symbol of Lucifer:

“The Phoenix ... is believed to be a divine bird going back to Egypt ... This Phoenix destroys itself in flames and then rises from the ashes. Most occultists believe that the Phoenix is a symbol of Lucifer who was cast down in flames and who they think will one day rise triumphant. This, of course, also relates to the rising of Hiram Abiff, the Masonic 'christ'." [Bill Schnoebelen, quoted by Dr. C. Burns, "Masonic and Occult Symbols Illustrated", p. 123]”

The “rising of Hiram Abiff, the Masonic ‘christ’” is also noteworthy since in Freemasonry Lucifer (Satan) is the considered the one and true god and light of the world.

As alluded to earlier, 33 is a very significant number in Freemasonry.

Similarly, the phoenix, commonly depicted as two conjoined eagles is a prominent Freemasonic symbol which represents the attainment of this highest degree of the secret society, or its pinnacle.

It is omnipresent in Freemasonic regalia, architecture, and the like.

We must also not forget the infamous cover image from The Economist in 1988 titled ‘Get ready for a world currency’ which depicted the phoenix above burning fiat currency, presumably setting the stage (or at least the idea) of a one world currency. It should also be noted that the Rothschild banking family owns a 26% stake in The Economist Group.

The phoenix and nuclear family together form the central focal point of the mural.

Taken together, their overall tone and meaning carry significant weight with regards to the vision and aspirations espoused by the powers who commissioned and proudly display it at the Security Council chamber.

Centerpiece – The Nuclear Family

The first thing worth noting about the centerpiece which depicts the nuclear family is that it is connected to the head of the phoenix.

If the image is turned upside-down, it is easy to notice that the phoenix’s head serves as a hook, or hold on the vesica piscis – the oval shape of the center panel in which appears the nuclear family.

The vesica piscis (also called vesica pisces) shape is obtained from the intersection of two circles:

It thus representative of the old world being replaced by the new.

Likewise, the vesica piscis shape is similar to that of a woman’s vulva which is, of course, symbolic of birth.

The name vesica pisces denotes a fish symbol which is, historically, representative of Jesus Christ and Christianity.

In this panel, the serpent theme reappears in the upper part where Satan temps the girl with an apple from the Tree of Knowledge, as is the case with Eve in the Garden of Eden.

“Genesis 2:16-17
And the Lord God commanded the man, "You are free to eat from any tree in the garden; 17 but you must not eat from the tree of the knowledge of good and evil, for when you eat from it you will certainly die."”

As such, there is a Biblical reference which here implies the fall of humanity.

Moreover, it represents the disobedience or disunion from God along with the introduction of sin, or sinful ways of life in humans.

That is the vision espoused by those in power – to replace Christianity with their religion, Satanism.

And by dismantling or breaking down the nuclear family, they remove all that is good in humanity and society.

Much of what has taken place over the past several decades since the 1950s substantiates this ambition.

In the 1960s, the Toronto Protocols – the elites’ blueprint for a New World Order – laid bare their intent to break up the family unit.

The following passages from the leaked Toronto Protocols document clearly showcases the manner in which they sought to decimate and overtake the family unit, leaving children vulnerable to psychological and sexual exploitation [with emphasis added]:

“Thereby transferring to the State the "Parental Role", it will be much easier thereafter, of us to monopolize, one by one, all the responsibilities that had been, until to date, the exclusive responsibility of the parents. This is how we can make be considered by all as an abuse against children, the traditional religious education of the Judeo-Christian origin.

...This will then be of a disconcerting ease than to transfer this role of the state in relation to the child to the highest international bodies such as the United Nations. Understand this well: "Our goal is not to protect children, or anyone from another, but to cause the collapse and subsequent fall of Nations which are a major obstacle to the implementation of our "New World Order". That is why the "Office of Child Protection" must be invested with absolute legal authority. They must be able, as they see fit, but always under the pretext of protecting the child, to remove them from their original home environments and place them in family backgrounds or foreign government centres that have been established for our internationalist principles and religions. Therefore, it will complete the final breaking of the "Western Family Unit". For without the protection and monitoring of their original parents, these children will be permanently handicapped in their psychological and moral development, and consequently represent natural prey, easily adaptable to our global aspirations.”

Notice how the passage above suggests to “transfer this role of the state in relation to the child” to the international body such as the United Nations.

Though they state “such as,” they are readily implying that it indeed is the UN body they wish to oversee the care of children.

And the UN certainly has an exhaustive track record of interfering in family affairs chiefly through “family planning” (read eugenics though abortions and contraception) endeavours it has facilitated over the decades.

Perversely, such “care” also includes a sick version of ‘sexual education’ by UNESCO (a specialised agency of the United Nations) which entails very worrisome practices, not limited to masturbation and grooming of very young children for instance.

Increases in divorce rates, instances of abortion, child trafficking, incarceration of black fathers, among other factors which have occurred since the 1960s have all contributed to disruption of the family unit.

More recently, the perversion of our youth through diabolical schemes such as gender ideology and the LGBTQ+ agenda have also contributed to their goal.

All these are inescapably tied to the larger depopulation agenda.

From the central panel of the mural which is displayed on the United Nations’ Security Council chamber, one may also observe that the married couple have [unintimate] interlocking arms which suggests their union is not one filled with love, or holy matrimony. Intimacy is lost. In other words, it is merely a hollow partnership.

What is also particularly interesting is that Per Krohg actually based this center panel on a 1940 painting of his called Peace, the Artist with his Family.

Notice the differences with the central panel of the mural. Notably, above the girl on the left is another boy in lieu of a Satan figure offering the apple to her; that is a substantial deviation from the original.

Per Krohg was likely told to make this change since; after all, he was commissioned to paint it. Accordingly, those who recruited the Norwegian artist for the job surely instructed him on what their vision entailed for this and other sections of the mural.

Moreover, there are three children in the original painting versus two in the UNSC’s version which could denote their family planning endeavours to reduce population.

Overall, the center panel depicting the nuclear family – what should be the core of humanity and life itself – is represented in a rather bleak and dispirited fashion.

Bottom Center Panel: The Dragon & the New World Order Out of Chaos

The bottom-center panel of the mural shows a Dragon slaying himself under the phoenix, surrounded by a variety of individuals – young, old, ethnically diverse who are representative of the greater world population.

While mythology and religiosity of the dragon reaches far and wide, there are a few immediate peculiarities which come to mind.

Firstly, it is a symbol of evil.

Killing the dragon is symbolic of the conflict between light and darkness.

A telling observation to be made which is often overlooked is that the dragon is a dual creature; that is to say, the dragon is an amalgam of a bird and a serpent. This is revealing; for, we’ve been talking about these two creatures: the phoenix being the bird, and Satan represented as a serpent.

Furthermore, the dragon is the embodiment of chaos.

Once again, Freemasonry comes into the fold. The Latin phrase Ordo Ab Chao which means Order Out of Chaos originates from the secret order and serves as the motto of the 33^rd degree of Scottish Rite Freemasonry.

The highest level members of the Freemasons (and Bonesmen & Illuminati for that matter) who worship Satan have been preparing for centuries, and truly believe that this New World Order (Novus Ordo Seclorum – as appears on the back of U.S. dollar bill) will be born out of chaos.

Part of the back of the U.S. Dollar. Notice the Latin phrase NOVUS ORDO SECLORUM which means New World Order. The phrase ANNUIT COEPTIS above the pyramid and Masonic all-seeing eye means to plot (annuit = wink, coeptis = plotting/undertaking). For much more on U.S. Dollar symbolism, see my October 8, 2023 post.

Chaos is underhandedly present in this bottom-center panel of the UN Security Council mural.

The dragon slaying himself with a sword represents the killing of all beliefs and religions that depicted Lucifer as an evil beast. In other words, it is the relabelling of the beast from a negative figure to a positive one in which Lucifer replaces Jesus Christ as the saviour figure and light to the world.

Such a dramatic paradigm shift can occur during a Great Tribulation.

“And you shall hear of wars and rumors of wars. See that you do not let these things disturb you. For it is necessary that all these things take place, but the end is not yet.

For nation shall rise against nation, and kingdom against kingdom; and there shall be famines and pestilences and earthquakes in different places (Matthew 24:6 - 7)”

During the Great Tribulation period, the devil (Lucifer) will deceive the entire world into worshipping him in the form of the Antichrist.

Examining the panel, we can surmise that the individuals around the top of the dragon are the victims of this chaotic event. In the scene, they are all passing through a door with stars which represents the end of their journey on earth (i.e, their deaths), or more broadly, depopulation.

Practically speaking, a more realistic tribulation that could occur is that of wars, a world war and/or a nuclear event.

In just the past few decades, war has already brought about fatalities that range in the millions.

Back in 1991, President George H.W. Bush brought about the Gulf War in Iraq and spoke about it in an oddly opportunistic and prophetic manner:

In an infamous speech given on January 16, 1991, Bush stated the following [with emphasis added]:

“We have before us the opportunity to forge for ourselves and for future generations a new world order—a world where the rule of law, not the law of the jungle, governs the conduct of nations. When we are successful—and we will be—we have a real chance at this new world order, an order in which a credible United Nations can use its peacekeeping role to fulfill the promise and vision of the U.N.'s founders.”

As former head of the Central Intelligence Agency (CIA) – an outfit responsible for so much destruction which has caused immeasurable damage to the United States and countless other countries – Bush senior has repeatedly called for a New World Order.

In the speech partly cited above, Bush specifically refers to the “promise and vision” of the United Nations’ founders.

Who exactly were its founders? We at least know of the Rockefellers.

In 1927, John D. Rockefeller Jr. provided the League of Nations (which was the precursor to the United Nations) with $2 million to funds its library – a very huge sum of money at the time.

In 1946, he same John D. Rockefeller donated the land, worth some $8.5 million at the time, for the site of the United Nations headquarters in New York City.

Funding to the United Nations from the Rockefellers continues well into the 21^st century.

David’s brother Nelson Rockefeller was a member of the U.S. delegation at the United Nations Conference on International Organization in San Francisco in 1945 which marked the founding of the supranational organisation.

Chaos needn’t only come in the form of war. The same result – a massive reduction in human population – has also been achieved through other means such as with eugenics, pandemics, and population control measures. And central to these, were the Rockefellers.

Here are some key links corroborating such efforts:

• John D. Rockefeller III founded the Population Council, an NGO (non-governmental organisation) involved in biomedical research and public health.

  • The Rockefeller-funded Population Council still exists and operates to this day. According to its website, it is largely focused on promoting the United Nation’s 2030 agenda with its Sustainable Development Goals (SDGs).

• A similar outfit called Population Connection, formerly the Zero Population Council, or ZPG, which has been criticised as a genocidal movement fostered by John D. Rockefeller III.

• The Rockefeller Foundation provided grants to “Chief Nazi eugenicist,” Otmar Freiherr von Verschuer of the Kaiser Wilhelm Society in Germany. Verschuer was Director of the Kaiser Wilhelm Institute of Anthropology, Human Heredity, and Eugenics,from 1935 to 1942. During World War II, the institute regularly received body parts from Nazi party members such as Josef Mengele (at Auschwitz concentration camp) for studies. Even as far back as 1929, they funded a whopping $317,000 (worth over $8.5 million today) to the Kaiser Wilhelm Institute of Anthropology, Human Heredity, and Eugenics.

• The GAVI Vaccine Alliance (set up by another eugenicist, namely Bill Gates) also received millions in funding from the Rockefeller Foundation.

• In 2010, the Rockefeller Foundation published its Scenarios for the Future of Technology and International Development in which it had foretold a scenario called ‘LOCK STEP: A world of tighter top-down government control and more authoritarian leadership, with limited innovation and growing citizen pushback’ that was eerily similar to the Covid-19 Pandemic – read the contents of the following screenshot of this particular scenario (while contemplating/comparing what precisely occurred globally during the actual pandemic):

Screenshot of The Rockefeller Foundation’s 2010 document Scenarios for the Future of Technology and International Development’s LOCK STEP section (page 18).

It can certainly be argued that other wealthy banking families and industrial magnates were involved in the founding of the United Nations.

We must also not forget that it was the fortunes of the Rockefellers, Carnegie, and Morgan who brought us ‘sick care’ through petroleum/chemical-based synthetic pharmaceutical drugs in lieu of a Holistic approach to health. This is referred to by many as Rockefeller Medicine. In my blogging days, I had written a whole series on Covid-19 (called The Greater Plan: Connecting the Dots) and Part 6 of that series focused on the history of this takeover of the medical schools and the launching of the highly-lucrative medical industry (see ‘The Flexner Report’ section) in the United States and Canada. It has been well over a century that this pharma-based medicine has been the norm in our hospitals and so-called health care systems. Sure, perhaps many good drugs and treatments have arisen from this system, but at the same time, a lot of sick care has resulted from it. Just think about vaccines alone.

Returning to George Bush senior and his quote from above, we can ascertain that he was not only an individual in the know who was privy to the real plans of these rich families and power brokers, but also an accomplice and enabler of their plans.

Moreover, from the quote above Bush stated how the UN can use its “peacekeeping role” to bring about the order.

And with the presence of the United States as a permanent member of the Security Council they have often ignored Security Council resolutions and have used their veto power over the years to bring about and prolong countless wars and wanton destruction, particularly in favour of the modern State of Israel.

To expand the destruction of the Iraqi people, President George W. Bush (son of George H.W. Bush) ordered the 2003 invasion of Iraq whereby then U.S. Secretary of State General Colin Powell addressed the United Nations General Assembly claiming that Saddam Hussein had weapons of mass destruction which turned out to be totally unfounded and pure lies.

Of course we all know the history of perpetual war that ensued following the 2003 invasion of Iraq, including the current ones in the Ukraine and Israel-Palestine.

The following four panels above the one analysed in this section represent what results, or at least is sought, from the order out of chaos.

Left & Right Panels: United Nations – the Saviour [and Destroyer]

Above the bottom scene of gloom and war (chaos) which stretches horizontally across the mural appears four panels adjacent to the centerpiece (two on the left and two on the right).

With the exception of the fourth panel on the right-hand side (showing the horse), the other three tacitly convey a message in which peace, prosperity, and a brighter life will emerge – all brought by the United Nations itself.

We can notice this with the light blue tones (which match the official colours such as UN blue).

The far left panel (shown above) described in this sub-section has two parts: an upper one with six individuals and a bottom one with four plus a woman that is being pulled up.

This bottom section of the panel shows four well-dressed individuals of good appearance. The gentleman on the right is calling upon the desperate and beaten-down masses to join a better world that is forged by the UN.

We know this because the woman next to him is receiving rays of sunshine (representing light, peace, and renewed life) from a blue building – which is symbolic of the institution of the United Nations.

The upper part of this panel appears to show the potential of riches (materialism) for those who can prosper and ascend to the higher class of citizenry. It depicts the forging and pouring of gold, and we can see the bags of these riches on the ground. But in fact, this is a false illusion since only the rich ruling elite (all portrayed as white in the scene) can be such members.

Right above their heads appears a church steeple without a cross which denotes the absence of Christianity in this new world which is in line with the belief system of the elite since they despise Christ’s religion in favour of Satan’s.

The following two middle panels flanking the center piece are a continuous scene, as they are bound by a large UN blue ribbon. The one on the right also has a man holding the official United Nations flag.

Without going into the details of this combined scene, suffice it to say that they are intended to convey a Utopian existence under the leadership and command of the supranational organisation.

In both images, we can see multiple pyramids which are symbolic of the power structure and New World Order.

Of course, the elites sit atop of the pyramid commandeering world affairs like the puppet masters that they are.

The “new world based on clarity and harmony can be built up,” affirms the official description of the mural with regards to these scenes.

Two key words from this description stick: harmony and clarity. The former is reminiscent of John Lennon’s Imagine:

“Imagine there's no heaven

It's easy if you try

No hell below us

Above us, only sky

Imagine all the people

Living for today

Imagine there's no countries

It isn't hard to do

Nothing to kill or die for

And no religion too

Imagine all the people

Living life in peace

You

You may say I'm a dreamer

But I'm not the only one

I hope someday you'll join us

And the world will be as one

Imagine no possessions

I wonder if you can

No need for greed or hunger

A brotherhood of man

Imagine all the people

Sharing all the world

You

You may say I'm a dreamer

But I'm not the only one

I hope someday you'll join us

And the world will live as one”

The United Nations and the World Economic Forum (WEF) work hand-in-hand to bring about this New World Order.

Secretary-General António Guterres (right) meets with Professor Klaus Schwab, Founder and Executive Chairman of the World Economic Forum.

The second key word, clarity, denotes the vision of the UN and WEF whereby the masses will be considered equal (similar to Mao’s Communist China during the Cultural Revolution).

Equally poor and happy.

“You’ll own nothing. And you’ll be happy.” - one of eight predictions for the world in 2030 by the World Economic Forum”

Though these predictions by the WEF were made back in late 2016, notice the target date of 2030.

This, of course, coincides with the broader Sustainable Development Goals (SDGs) of the United Nations.

In the ‘Deciphering the blueprint for global tyranny and domination’ section of one of my previous posts, I outlined what the SDGs were really about. Here are a few excerpts:

“The UN’s 2030 Agenda and its broad Sustainable Development Goals (SDGs) have been in existence for several years now. While to the untrained eye, they might, at prima facie, appear to be noble and honorable goals to help humanity, they are in fact designed to do the opposite.

While many have written about these SDGs and translated their meanings, including a very thorough and enlightening work by investigative journalist Whitney Webb, it is worth re-visiting them to see how they intend to further consolidate their power to control and enslave the masses.”

In that post, I also described many of these individuals goals in great detail. A large part of that task consisted of decoding the lingo used by the cunning authors of these works since they consistently use key buzzwords (such as sustainable, equity, inclusive, and the like) to make their goals sound benevolent, while obfuscating their real intentions.

The middle-right panel of the mural welcomes the chained (enslaved) souls from the bottom panel in promise of a better existence.

But in fact this is a grand deception, as those escaping misery (out of chaos) enticed by a brighter world are walking right into the United Nations dystopia.

And that is what the fourth panel – the one on the right with the horse.

The horse in this scene is quite symbolic.

The man in the scene appears to be releasing the horse with his left hand, as his right hand holds the unshackled bridle reigns.

Most everyone has heard of the Four Horsemen of the Apocalypse from the Book of Revelation in the Bible.

Each horse represent particular events and are stylized in distinct colours – typically white, red, black, and pale.

The one in the mural is the pale one which is quite symbolic.

According to Bible prophecy (Revelation 6:1-8), the pale horse is the fourth one and its rider’s is named Death.

It’s likely no coincidence that the fourth panel in this set is the one that has the horse in it.

“When he opened the fourth seal, I heard the voice of the fourth living creature say, "Come!" And I looked, and behold, a pale horse! And its rider's name was Death, and Hades followed him. And they were given authority over a fourth of the earth, to kill with sword and with famine and with pestilence and by wild beasts of the earth.”

Accordingly, the pale horse in the fourth panel is representative of death which thus annuls the utopia of the other three in the set.

The fourth Horseman, Death on the Pale Horse. Engraving by Gustave Doré (1865). Source: Wikipedia.

Here, not only does it means death to humans (such as from war and pandemics), but also death to sovereign nations, cultural identity, family, and the like.

In summary, it’s really indicative of the elite’s desire to bring about massive depopulation.

The upper part of the panel shows a white man and white woman engaged in scientific pursuits.

The male-female pair are white for a reason: they represent the “pure race” as envisaged by the ruling eugenicists.

The woman using the microscope represents the “science” (read pseudoscience) that eugenicists have been using to attempt to justify the sterilisation our outright extermination of the classes they deem inferior such as blacks, as well as those born with infirmities.

Eugenics has been around since the 19^th century and was pervasive in the United States and the United Kingdom (the Anglo-American empire). I have covered its history in Part 3 of my series The Covid-19 – Holocaust Comparison in which the Rockefellers had no small part in.

The man in the panel is looking through a telescope. At prima facie, the viewer is to think about astronomy. But in fact, it is about astrology.

The billionaire and trillionaire classes who founded the United Nations espouse the dark arts which includes astrology.

In Part 2 of my Synagogue of Satan series, I referenced a quote from J.P. Morgan to this effect:

Here are some excerpts from my post:

“Since we would like to better understand the divine entity or entities that these rulers worship and seek to obtain mystical powers from, we must examine their arcane methods, or mystical ways.

The quote from J.P. Morgan from above is seldom referenced or cited. But it nevertheless speaks volumes.

The use of astrology (the divination of the influences of stars and planets on human affairs and terrestrial events) has been around since the earliest civilizations such as with the Sumerians.

Astrology is but one method or form of divination that has been employed throughout the ages to seek superiority.”

Though the white man and woman in this part of the panel appear to represent genuine science, it is really scientism that they are espousing and practising.

We’ve seen this ideology in its full glory during the Covid-19 Scamdemic.

Since the mid- to late-nineteenth century, scientific pursuits have excluded God – or the Creator, whichever you prefer – from inquiry. Gone were the days of greats like Isaac Newton.

Even the brilliant wordsmith Edgar Allan Poe foresaw this and attempted to warn us about it – particularly in his elusive, but outstanding work called Eureka (PDF book here).

This is further substantiated in the opposing panel on the far left of the mural which also shows only members of a pure white race and a church steeple without the cross.

Remember, the god they worship is Lucifer (Satan) who is the destroyer. They wish to destroy everything that is good and holy, especially God’s most precious creation – children. God is the creator.

Top Middle Panels

The top middle left panel (shown above) has two parts: a man in front of a blank whiteboard and what appears to be flames along an arch which splits the right part showing four persons who appear to be preparing and designing for an urban city or metropolis on the right. The flames are interesting since in the top middle right panel, the two parts are also split by flames.

Green trees are persistent across all four sections.

The top middle right panel (shown above) also has two parts with the leftmost showing three figures engaged in the arts (sculpture and music) and a white woman in a dress staring up at the sky. The scene splits again with flames upon which emerge four strange beings. Two of these are at a work desk; the one sitting on the chair doesn’t appear human since it has lizard-like features which are highly pronounced along the spinal column on its back. The two figures on the right are either dancing or performing a theatrical act.

These top middle panels are perhaps the most difficult to decipher. Accordingly, my interpretation of these will be more speculative than substantive, as was the case with all the other panels described above.

The man with the blank whiteboard represents how the elites wish to completely reshape the world as per their vision.

It is a radical remodelling of the New World Order, including the belief system – Luciferianism – that they wish to impose on the global masses.

The right part of this same panel depicts urban planning. In this case it is with the objective of funnelling the masses into 15-minute type cities.

The World Economic Forum (WEF) – the private sector arm of the United Nations has been working on this for decades.

Amidst the many worries surrounding 15-minute cities (FMCs), sometimes called “smart cities,” are increased surveillance and control of the masses along with making them dependent on their systems; for the latter, I mean that people who live in large cities are more dependent on grocery stores and utilities (energy) compared to those who live in urban settings where they can grow their own food and heat their homes with wood stoves and be more self-sufficient.

You see, it is much easier for the elites to control the masses in such a setting (urban cities), compared to doing so for those who live in rural areas – particularly remote areas.

In addition, they can more easily impose Climate Scam related Carbon Taxes and impose travel restrictions (read Climate Lockdowns).

I also wrote about how places such as my own native province of Quebec is preparing legislation to this effect.

For the top middle right panel, artistic pursuits will be enjoyed mostly by the upper elite classes.

The portion of this panel that depicts a reptilian-like humanoid creature at a desk working represents a future driven by Artificial Intelligence (AI).

It will be AI and AI-driven robots that will manage and oversee the working class and also the general masses.

They will control the masses through algorithmic surveillance. For instance, on social media, it is AI who will control censorship.

Other examples include AI determining the outcome of court cases (as has already been tested and implemented in China years ago) along with diagnosing maladies in patients with prescribed treatments for so-called health care.

A big part of the elite’s vision is to have each global citizen identified with a biometric Digital ID and dependent on the use of a Central Bank Digital Currency (CBDC) (or digital currency equivalent). Combined, these would essentially equate to the Mark of the Beast.

For total control over us plebs, only an AI-based system will be able to monitor our online (and offline) behaviour and financial transactions.

The United Nations has been hard-at-work on these endeavours for decades already – particularly with some of their Sustainable Development Goals (SDGs), as I have outlined in a previous post titled The United Nations (UN) seeks Digital IDs for all, among numerous other Power-Grabs.

I have also previously explained how the Bank for International Settlements (the BIS which is owned and controlled by the rich banking & industrialist families) will be central to such AI-surveilled CBDCs.

We cannot let them get away with this, lest we become total slaves.

When your respective government – be it at the national, state/provincial, or municipal level – finally introduces biometric Digital IDs and CBDCs, resist them with all your might and, DO NOT COMPLY.

We outnumber these parasites that operate in the shadows by the billions and know who their useful idiot enablers are.

This concludes the analysis of the United Nations Security Council’s mural. Feel free to leave your thoughts, interpretations, or observations in the Comments section for this post.

The Meditation Room

The Meditation Room (sometimes called the Prayer Room) is located on the first floor of the General Assembly building of the United Nations in New York City.

Open in 1952, the room was designed by Dag Hammarskjöld a Swedish economist and diplomat who served as the second Secretary-General of the United Nations from April 1953 until his death in 1961.

Though I haven’t been able to independently confirm it, some sources have stated that the room measures 33 feet long and 18 feet wide. If it is the case, the number 33 is, as mentioned previously, an important Masonic number. The number 18 is comprise of 6 + 6 + 6, and we know that 666 is the number of the beast.

Two key features inside the room include a 108 by 78 inch abstract mural fresco painting by Swedish artist Bo Beskow, and a coffin-shaped 6-ton iron ore stone altar located in the middle of the room.

Room Shape (trapezoid)

Another notable feature of the Meditation Room is its trapezoidal shape (a quadrilateral having two parallel sides), as shown from the floor plans of the building and its floors.

When looking at the Meditation Room from the image above, one can almost get the sense that they are looking at a coffin. This, accordingly, symbolises that those who enter it are subject to experience a spiritual death. Sounds crazy or improbable? Keep reading.

According to Jesus Truth Deliverance, the trapezoid is regarded by occultists as the most Satanic of shapes and is used in black magic rituals to enhance demonic manifestations.

Eerily, the site also notes that Pope John Paul II was buried in a trapezoidal, vampiric, coffin.

In Satanism, the “Order of the Trapezoid” is a very ancient secret society order, worshipping the Egyptian god Set, who is Satan, the site adds.

Church of Satan founder Anton LaVey’s research on trapezoids lead him to develop a concept called “The Law of the Trapezoid” which considered how spatial and angular shapes that could foment fear and can serve as a catalyst for change. His December 7, 2016 essay on the matter sheds more light on the matter [with emphasis added]:

“We all react to what we see. Just as sounds and odors influence our behavior, so do visual patterns and shapes. Some make us feel good. Others disturb us. Whether you like to admit it or not, the fear response is the one most easily aroused. Since self-preservation is nature’s highest law, fear motivates. Hence, we give our attention first to sensory impressions that represent things that we once, far back in racial memory, feared. Fear is the prime mover.

Fear of failure, fear if lack of recognition, identity, acceptance. Fear of loneliness, rejection, annihilation, the unknown...

Any shape or spatial concept that triggers fear could therefore be considered evil, yet without such “evil,” there could also be no progress, only complacency and stagnation. Needless to say, the fearsome is also fascinating and awesome.

What shapes intensify fear? Those which are overbearing, unbalanced, jagged, confusing. The reason a triangle or pyramid in its perfect form is pleasing, is because it is complete, like the imaginary vanishing points in drawings...

The most disturbing shape of all is a trapezoid in its myriad forms. A perfect trapezoid is a frustrated pyramid. In fact, the place where a pyramid or triangle is lopped off to make a trapezoid is actually called the frustum. A trapezoid says to your unconscious, “I am here, solid as can be, more massive than an ordinary block, but something’s missing and it bothers you.” Of course, you know what’s missing: a triangular top, like the one with an eye on the back of a dollar bill. Don’t let that little pyramid with the bright eye fool you. That’s to draw your attention away from the real thing: the big trapezoid beneath it. All competent magicians are masters of misdirection, and the Masons who designed the seal knew a thing or two.

Angles are space planes that provoke anxiety — that is, those not harmonious with natural visual orientation — will engender aberrant behavior.

The altars of violence and sacrifice: the temples of the Maya and Aztec magicians formed of trapezoids and sustained by the sacrificial blood of the chosen ones, the truncated pyramids upon which hearts were cut from living victims and held aloft and hot to Quetzalcoatl and Hapikern.

In 1962 I isolated my suppositions and distilled them into what I termed “The Law of the Trapezoid.” I had ample evidence that spatial concepts were not only able to effect those who were involved in visual confrontations, but far more insidiously, other parties whith whom a viewer came into contact...he most tranquil and stoical person can be drawn into a chaotic situation if his surroundings are sufficiently disturbing...

There are objects, too, whose presence in an area continually affects those in attendance. The shape of a piece of furniture, the configuration of a painting, a mural, an appliance, certain “jinxed” automobiles, the angles inherent in all coffins viewing them either from the top (old style) or from the end (new style)...

If the Law of the Trapezoid is known, recognized when applicable, and either heeded or utilized, it will save much hardship and tragedy, while serving as a catalyst for change.”

Much more could be explored with regards to LaVey’s Law of the Trapezoid, but for sake of brevity let us return to the Jesus Truth Deliverance post which mentions that his writings suggest an occultic magical effect on those who spend time in the Mediation Room. To wit:

“UN Meditation Room: As with any truly occult or spiritual symbol (symbol of the spiritual guidance of the United Nations), this room represents more than meets the eye. It is replete with significant symbols, and the numerology, astrology and Sacred geometry that are all a part of this very small room radiate their own silent but powerful spiritual vibrations, invoking the Soul of those who seek to work through this organization for the benefit of humanity and the planet. LaVey says architecture can enhave [sic] an evil, spiritual atmosphere.”

In other words or put simply, the room radiates an evil spiritual energy that is in line with the spiritual belief system of the founders of the United Nations.

Stone Altar

As with the shape of the Meditation Room itself, the 6-ton stone is also akin to a coffin, given that its distinct rectangular shape which is suggestive of the grand stone coffins of the Egyptian pharaohs.

The stone is said to be that of magnetite, though I haven’t been able to confirm the validity of this claim. Magnetite is extremely magnetic. So, is it possible that part of the intent of using this type of stone is to harness etheric or spiritual energy from those who visit the room?

Abstract Mural Painting

The abstract mural fresco painting in the Meditation Room is comprised of interlocking geometric patterns.

As with other forms of abstract or modern art, countless interpretations are possible. But what does stand out are the numerous pyramids scattered across the work, along with a black and white circular sphere, and a serpent-like thin curve flowing from top to bottom.

Both pyramids and an [all-seeing] eye are Masonic symbols. The former represents the power and authority while the later serves as a reminder that the visitors who enter the room are constantly being watched.

In addition, black and white is also common in masonic floor tiles which signifies good versus evil as well as duality, like with the Yin Yang symbol.

Connection to the Lucis Trust (Lucifer Publishing Co.)

Some have stated that the custodian of the Meditation Room is that of the Lucis Trust (formerly the Lucifer Publishing Company)

The Lucis Trust is a U.N. NGO with headquarters based in New York City, London, and Geneva. It was founded by Alice and Foster Bailey in 1922 and whose overarching philosophy is based on the teachings of Russian mystic and Theosophist Helena Blavatsky.

What is important to note here is that the Lucis Trust has ‘Consultative Status’ with the Economic and Social Council of the United Nations (ECOSOC) which means it has influence over the supranational outfit and its 2030 Agenda for Sustainable Development and the Sustainable Development Goals (SDGs) which they fully support.

A mere glance at merely one of their 2016 articles shows you that they have been largely in support of depopulation efforts and with the establishment of the SDGs – and this going back decades.

The article is filled with New [Satanic] Age “spirituality” mumbo jumbo that cloaks its depopulation leanings [with emphasis added]:

“To set the stage for this afternoons talks and discussions, let me briefly outline the historical context of how we came to the Sustainable Development Goals (SDGs) and why they are the challenge of this century. That will at the same time make clear why good will and ethical responsibilities play a pivotal role in the whole process.

The problem of sustainable development, seen from both a socioeconomic and an environmental perspective, has been triggered by the extraordinary growth of the human species (5 million people 10,000 years ago when agriculture began to 7.4 billion today, increasing to approximately 11.2 billion by the end of this century) and the simultaneous increase (by over 100 times) of the resources used by each person.

The first major signal of concern was given by the 1972 Report of the Club of Rome or Meadows report: “The Limits to Growth.” It caused a great sensation because of its clear message: In a basically closed system like the Earth it is impossible for the population, food production, industrialization, the exploitation of natural resources and pollution of the environment to continue to experience exponential growth without sooner or later collapsing. (The report forecast this to occur around the second half of this century.) The report concluded that to prevent this disaster, a collective commitment would be needed to curb the indiscriminate growth of the economy and achieve global equilibrium. The report was welcomed by environmentalist, but crushed by politicians and the business world...

In the development of policies to limit indiscriminate growth the concept of sustainable development goals was well defined in 1987 in the final report of the United Nations Commission on Environment and Development led by Gro Harlem Brundtland called Our Common Future...

In a 2015 briefing for NGO’s at the UN in Geneva the Special Advisor of the Secretary General, Dr. David Nabarro, emphasised that implementation of this agenda concerns everyone: governments, businesses, academics, but also you and me. We are here talking about “global citizenship” as well as “global accountability” and please note: there is no plan B. The SDGs are not an empty set of propositions to keep a club of diplomats busy...

The other is the Top-down approach. It is here that the United Nations play a crucial role...

One of the more recent results of the Top-down approach is The Paris COP21 or United Nations conference on climate change which has been concluded and ratified by many countries in an unprecedented short time. So also governments are aware of the urgency of the issues at stake in the SDGs.”

There’s a lot to unpack in the article, but what it essentially boils down to is depopulation through SDGs and the completely fabricated “Climate Crisis.”

To further substantiate this bold statement, let me focus more on the “Climate Crisis” rather than the SDGs since I have already covered these extensively and provided plenty of corroborating resources.

The Lucis Trust article excerpts from above make mention to The Club of Rome.

If you haven’t heard of them, they are essentially an obscure elitist think tank that focuses on helping to bring about various goals of the elites.

I will quote some passages from some of my previous articles to help explain this monumental con:

“Regarding the origins of Global Warming & Climate Change, it has been well documented that they have been artificially brought about several decades ago by a group of elites behind a think tank called the Club of Rome.

When speaking about Agenda 21 and the Club of Rome, former Australian politician Ann Bressington stated (alternate link) the following [emphasis added]:

“Ladies and gentlemen, the origins of the environmental movement as we see it began back in 1968 when the Club of Rome was formed. The Club of Rome has been described as a crisis think tank which specialises in crisis creation. The main purpose of this think tank was to formulate a crisis that would unite the world and condition us to the idea of global solutions to local problems. In a document called The First Global Revolution, … it stated: ‘In searching for a new enemy to unite us, we came up with the idea that pollution, the threat of global warming, water shortages, famine and the like would fit the bill.’ …, that’s the origin of global warming ladies and gentlemen.”

Her statement does indeed check out. On page 115 of the 1991 book entitled The First Global Revolution: A Report by the Council of Rome, you can clearly read the passage under the header ‘The Common Enemy of Humanity is Man’ [emphasis added in red]:

The Club of Rome is still actively involved in activities related to Climate Change. And at first glance it all seems quite legitimate. But the power and influence wielded by its well-connected membership leaves much to be scrutinized.”

In various articles from my Substack, I have documented how the entire Climate Change scheme is a monumental fraud and swindle.

In Part 4 of my series on Geoengineering and Weather Modification I outlined in detail how they are stealing trillions of dollars from citizens around the globe in the form of Carbon Taxes and other means on the back of this hoax.

Moreover, I provided ample evidence that the United Nations itself is in on this scam, particularly through the International Civil Aviation Organization (ICAO) which is a United Nations agency.

In short, the United Nations has been helping to depopulate the masses by:

• making traditional energy sources less available and hence more expensive thus strangling the budgets of families;

• using the commercial airline industry to emit toxic substances into our atmosphere thus impairing health and causing death; and

• carbon taxing us into oblivion, further impoverishing billions.

In a recent article, I created a mind map that exposes the United Nations, Club of Rome and other parties involved in this swindle:

The Lucis Trust, the United Nations, the Club of Rome, and the rest of their ilk are not there to benevolently serve humanity as they claim to do. They are not your friends. Rather, they seek to plunder your economic energy, impoverish, and, ultimately depopulate (eliminate) you and your loved ones.

Unless the global masses start to wake up and resist such tyranny, they will continue with their nefarious programs and agendas which have, thus far, sadly been extremely effective and successful.

The Beast Statue

A November 9, 2021 tweet (archived here) by United Nations Photo revealed a beast statue that stands at Visitor’s Plaza outside the UN’s New York headquarters.

The tweet reads as follows:

“A guardian for international peace and security sits on the Visitor's Plaza outside #UN Headquarters. The guardian is a fusion of jaguar and eagle and donated by the Government of Oaxaca, Mexico @MexOnu. It is created by artists Jacobo and Maria Angeles. UN Photo/Manuel Elías”

At first glance, does this beast instill a sense of international peace and security?

Probably not for most.

“While people are saying, “Peace and safety,” destruction will come on them suddenly, as labor pains on a pregnant woman, and they will not escape. - 1 Thessalonians 5:3”

The above Bible passage pretty much sets the tone for what this idolatrous beast is really about.

While several responses to the tweet include biblical references and prophecies, some pertaining to Revelation 13 are particularly noteworthy:

“13:2 The beast I saw resembled a leopard, but had feet like those of a bear and a mouth like that of a lion. The dragon gave the beast his power and his throne and great authority.

13:3 One of the heads of the beast seemed to have had a fatal wound, but the fatal wound had been healed. The whole world was filled with wonder and followed the beast.

13:4 People worshiped the dragon because he had given authority to the beast, and they also worshiped the beast and asked, “Who is like the beast? Who can wage war against it?”

13:5 The beast was given a mouth to utter proud words and blasphemies and to exercise its authority for forty-two months.

13:6 It opened its mouth to blaspheme God, and to slander his name and his dwelling place and those who live in heaven.

13:7 It was given power to wage war against God’s holy people and to conquer them. And it was given authority over every tribe, people, language and nation.

13:8 All inhabitants of the earth will worship the beast—all whose names have not been written in the Lamb’s book of life, the Lamb who was slain from the creation of the world.”

As Revelations is all about prophecy, interpretations are inevitably subjective. Still, the passages resonate and seem to align well with what kind of “beast system,” pardon the pun, the elites seek. Therefore, I will offer some of my thoughts for each of these passages, explaining how they seamlessly fit with the subject matter at hand.

Revelation 13:2 references the dragon which we explored earlier. Recall that in general, it is a reference to evil. Next, though the passage doesn’t mention wings of an eagle (like Daniel 7:4 does), it does describe the beast as resembling a leopard. The tweet mentioned the beast as a jaguar, but in terms of their appearance, they are similar. “The dragon gave the beast his power and his throne and great authority,” suggests that Lucifer (Satan) is bestowing the power to the beast to bring about carnage (death) upon the earth.

In general, the beast refers to Lucifer (Satan) himself and beastly ways, or a system that promotes evil and destructive behaviour, including the United Nations itself.

“The whole world was filled with wonder and followed the beast,” finishes Revelation 13:3. This means that the masses will openly embrace evil and sinful ways of which many are promoted by the UN (such as abortion, LGBTQ+, hypersexualisation and pedophilia, wokeism, drag story time for kids, and so on), or at least that is what they seek.

Revelation 13:4 reveals that “they also worshiped the beast” which refers to idolatry which is the worship of idols – in this case, the UN beast. In Christianity and the Bible, the worshipping of idols represent a fundamental breach of the commandments delivered to the ancient Israelites. It is a mockery of God – something that is dear to Lucifer. The high level Freemason elites who founded the United Nations worship Lucifer and want their world subjects (you and me) to do the same.

“The beast was given a mouth to utter proud words and blasphemies,” commences Revelation 13:5. Pride is one of the seven deadly sins. It is central to the LGBTQ+ movement with its “Pride month,” “Pride parades,” drag story time shows, etc.

Guess what word emerges from the phrase “Pride month?”

The beast himself!

In revelation 13:6, the beast opens its mouth to “blaspheme God, and to slander his name and his dwelling place and those who live in heaven,” which conveys yet more mockery and haughtiness towards God and his adherents.

“It was given power to wage war against God’s holy people and to conquer them. And it was given authority over every tribe, people, language and nation,” reads Revelation 13:7. This shows how the beast, i.e., the United Nations itself, seeks to conquer and destroy holy souls, regardless of their race or national affiliation.

Finally, Revelation 13:8 shows how all “inhabitants of the earth will worship the beast,” which is their ultimate goal.

The beast can also be considered the Antichrist. You see, the United Nations fancies itself as a [false] saviour who is, rather, a grand deceiver.

Though it appears that this beast sculpture is no longer on display at the United Nations headquarters in New York City due to numerous public complaints, it nevertheless serves as a reminder of what the elites really stand for. Like with the now gone Georgia Guidestones (which sought to bring the world population down to 500 million inhabitants), let it serve as a testament to the elites’ Luciferian will.

This concludes this instalment of SYMBOL WATCH.

I hope you learned from it, and I look forward to producing more posts for this series.

Making one about Disney is top on my list.

God bless you all, and be sure to keep your eyes open; for these symbols are everywhere.

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